Make no mistake, reading a screenplay is an investment of valuable time. If the synopsis is well written and the executive thinks there’s a possibility of a good story, then they’ll want to invest the time to read your script. That logline needs to intrigue the reader enough to want to take the next step, which is reading your synopsis. First, you must craft a logline that is no more than thirty-five words.
#PITCH YOUR SCREENPLAY ONLINE PROFESSIONAL#
Though this may seem basic, let me begin with the process of getting an industry professional to read your script. Many newer screenwriters ask, “What is the process for writing a good submission? What do I need to interest the industry people?” What you need to have is a clear picture of the film you want to make and convey that to the executive that is looking to find a saleable concept and how do you do that? Assuming you have a compelling idea, you convey it with a catchy, concise logline and a well written, no frills synopsis of your screenplay. It's quickly delivered, and while the absurd nature of the pitch means I’d like to see a little more before I were truly to commit to it, it’s such an absurd idea that it has a 'we’ll just look and see' vibe to it."
“It’s hard to tell exactly how serious this pitch is, as the idea is too ridiculous and the delivery doesn’t really assuage fears that it’s all a big joke, but it’s a funny concept at its core. Here is his paragraph of written feedback: Though a seemingly absurd concept, the executive was intrigued by it and requested the script. The proposal was for my new whimsical comedy/action screenplay that was born from an idea out of the Stage 32 Screenwriting Forum. This past week, a professional executive with impressive credits responded to a written pitch I submitted via Happy Writers.
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